Activism & Advocacy

Why “Lift Every Voice?”

To date, there are many poems and songs written to document the mistreatment of Black and Brown people and people among marginalized communities; many works that were created solely for the purpose of amplifying the looming shadow of America’s past (and present), that people of color might one day be truly liberated and validated. These poems and songs are often written to project hope when there is none; when the future has or does appear bleak. That’s why “Lift Every Voice and Sing” is such an important vocal affirmation of the Black experience. 

 

Lift ev’ry voice and sing,

‘Til earth and heaven ring,

Ring with the harmonies of Liberty;

Let our rejoicing rise

High as the list’ning skies,

Let it resound loud as the rolling sea.

Sing a song full of the faith that the dark past has taught us,

Sing a song full of the hope that the present has brought us;

Facing the rising sun of our new day begun,

Let us march on ’til victory is won.

 

“Lift Every Voice and Sing” was written to celebrate the anniversary of the birth of former President Abraham Lincoln by James Weldon Johnson, a man of many firsts that would enable Black Americans after him to continue the fight to illuminate his vision of freedom. Johnson was a principal, songwriter, consul, and eventual field secretary for the National Association for the Advancement of Colored People, becoming a prominent figure that used his merits and art to bring attention to racism and lessen instances of legislative injustice, lynchings, and segregation. His work would later impact The Harlem Renaissance and unify the Black community by way of a new national anthem. The song was composed by Johnson’s brother, John Rosamond Johnson, one of the most important composers of Black music and Black theater of his time.

 

“Lift Every Voice and Sing” isn’t a hymn written to replace our honored National Anthem; it’s a continuation of the methods Black Americans adopted to prevail against the horrors they were subjected to during slavery and afterward during the Jim Crow era when Black voices were persistently denied and ostracized. “Singing as a form of communication is deeply rooted in the African American culture. It began with the African slaves who were kidnapped and shipped across the Atlantic during the Middle Passage. Slaves from different countries, tribes, and cultures used singing as a way to communicate during the voyage. They were able to look for kin, countrymen and women through song,” wrote Kenyatta Berry in this article. This song is an ongoing testament to Black trauma, identity, and freedom. 

 

The hymn’s canon remains steadfast as there are a number of petitions to have “Lift Every Voice and Sing” sung at different nationals events. And in an effort to unify the country, United States congressman James Clyburn even recently filed a bill to make “Lift Every Voice and Sing” the country’s new national hymn.

 

If only Johnson were around today to witness this and the voices that continue to carry on his hope through national and local performances: LeVar Burton, Beyoncé, Kim Weston, Alicia Keys, Jon Batiste, and many more. 

 

Enjoy Johnson’s song in its entirety here

 

 

Photo by Chris Benson on Unsplash

COMMENTS

5 responses to “Why “Lift Every Voice?”

  1. Changing the current national anthem has some merit in that author Francis Scott Keyes was a slave owner, although there is historical information that he eventually renounced slavery. Only the first verse of the four in Keyes’ poem is used as our anthem. He appeared to denigrate slaves in the third verse and apparently had in mind those slaves who joined the British in the War of 1812 to obtain their freedom (I do not blame them). As to the National Anthem not embracing all Americans I would take exception as we stand for the Anthem to respect and honor the hundreds of thousands of Americans in our history who died fighting enemies that would deny our freedoms and way of life. That is the main focus of our Anthem. Other possibilities for the anthem could be “America the Beautiful” or “God Save America.” Also consider compositions by John Phillip Susa and Irving Berlin. Three women, Marian Anderson, Ella Fitzgerald and Kate Smith were very good at singing patriotic songs. Changing the National Anthem at this time is another “feel good” of the moment idea. The moving of Confederate soldier statues to museums and changing sports teams’ mascot names is appropriate at this time to remind Americans of past injustices to minorities.

    1. Well, I am not feeling good. I left a country and a continent to live in the US and I am actually very unhappy to live among brain dead, totally brainwashed and idiotic population.
      Marching zombies marching are not fun. When a country is big and powerful, there is a certain responsibility. Or rather there should be. There is none. History was murdered, ignorance is omnipresent, charlatans are worshipped and are eternally on covers of magazines – ugliness photoshopped to the Marilyn Monroe looks and displayed permanently on the racks of the greatest slave driver (Bezos).
      While monstrous trillionaires (predominantly “liberal” my ass) destroy the remaining jobs, “the socially conscious” (my ass) bummers sitting on their wealth are eager collaborators of destruction, babbling about transing, colors, etc. When there is no conscience everything is possible.
      No country can survive such madness.

  2. Thanks for this information. I love this song and how very wonderful it could be as our national anthem! Or at least one of the big 3- up there with America the beautiful . The national anthem doesn’t exactly embrace all Americans, that’s for sure.

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